top of page
Two-Worlds_edited.jpg

Time for a FLASHBACK!

Whether you're here to reminisce or looking to catch up on the back issues, we hope that you enjoy turning back the clock

with our retro recounts of cons-since-past!

ITHACON™  2020-2029

  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

    ProgramBook25_10-images-0.jpg
    ProgramBook25_10-images-1.jpg
    ProgramBook25_10-images-2.jpg
    ProgramBook25_10-images-3.jpg
    ProgramBook25_10-images-4.jpg
    ProgramBook25_10-images-5.jpg
    ProgramBook25_10-images-6.jpg
    ProgramBook25_10-images-7.jpg
    ProgramBook25_10-images-8.jpg
    ProgramBook25_10-images-9.jpg
    ProgramBook25_10-images-10.jpg
    ProgramBook25_10-images-11.jpg
    ProgramBook25_10-images-12.jpg
    ProgramBook25_10-images-13.jpg
    ProgramBook25_10-images-14.jpg
    ProgramBook25_10-images-15.jpg
    ProgramBook25_10-images-16.jpg
    ProgramBook25_10-images-17.jpg
    ProgramBook25_10-images-18.jpg
    ProgramBook25_10-images-19.jpg
    ProgramBook25_10-images-20.jpg
    ProgramBook25_10-images-21.jpg
    ProgramBook25_10-images-22.jpg
    ProgramBook25_10-images-23.jpg
    ProgramBook25_10-images-24.jpg
    ProgramBook25_10-images-25.jpg
    ProgramBook25_10-images-26.jpg
    ProgramBook25_10-images-27.jpg
    ProgramBook25_10-images-28.jpg
    ProgramBook25_10-images-29.jpg
    ProgramBook25_10-images-30.jpg
    ProgramBook25_10-images-31.jpg
    ProgramBook25_10-images-32.jpg
    ProgramBook25_10-images-33.jpg
    ProgramBook25_10-images-34.jpg
    ProgramBook25_10-images-35.jpg

    TAKE A PEEK AT THE ITHACON™ 48 PROGRAM BOOK

    ProgramBook25_10-images-1_edited.jpg
    Crumpled Brown Paper
    1-superman-daily-planet-logo-brand-a-transparent.png
  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 02

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 03

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

THE  ORIGINS OF ITHACON™  (the 1970s)

  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 02

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 03

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

THE  ORIGINS OF ITHACON™  (the 1970s)

  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 01

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • Title 02

    Change the text and add your own content, including any information that is relevant to share. Then customize the font, size and scale to make it your own.

  • ITHACON™ #1 

    One of the most arrogant things we did in late 1975 when we started planning a convention was to name it “ITHACON 1”.  Tim Gray and I were the co-chairmen.  I had attended a few science fiction conventions, so I knew what kind of convention I wanted.  And the Club was large at the time, so we could count on a lot of workers. 

    We reserved the Greater Ithaca Activities Center, a retired school building that had been (slightly) converted for community use, because it had everything we were looking for.  The gym would be the dealers' room, there were two large rooms for panel discussions, there was a sizable classroom that would hold the art display, and there was a back room that would serve as convention headquarters.  One difficulty with the location was that there was no place nearby to buy lunch, so we decided to have a concession stand in the hallway selling hotdogs, chips, and beverages. 

    I won't belabor the points covered by Mike Costello and Carmela Merlo in their articles that follow.  But I will point out that we got really a lot of direct support from family and friends who were not comic book fans but pitched in to help out. Tim's sister and brother-in-law, Kathy and Paul Hildreth, did a lot.  My friend Scott Hazel took Friday and Monday off from work and came up from the Philadelphia area to help move furniture before and after the show, then helped with the admissions table during the show.  This established a pattern that Scott and another friend, Charlie Spiegel, followed for years. 

    One difficulty with organizing a comic book show was that we didn't actually know anybody involved in the industry!  We wrote to Ben Pondexter of the Pittsburgh Comic Club, who had already run a convention, and asked for help with contacting guests.  Ben gave us several addresses, as well as beginning an exchange of Club newsletters that continued for years.  One of my own favorites among the people for whom Ben could supply addresses was Walt Simonson, whose work I greatly admired.  Walt was unable to make it, but kindly offered to talk to his friend Al Milgrom for us.  At a Club meeting, we discussed the possibilities, and the consensus was that we liked Al's work, and so Al became our first guest artist.  Al later asked me how we decided to invite him, and I honestly told him that we had a show of hands at a Club meeting on whose work we liked best, and Al won.  Al found this quite flattering, as he was in the very early stages of his career. 

    Len Wein also accepted our invitation, and we were off and running!  We also invited fan artist Tim Corrigan, who lived in Rochester, and local artist L. Bruce Holman.  Tim was very pleased to accept, and Bruce gave us a lot of support in the form of artwork and publicity. 

    We invited cartoonist Johnny Hart, who lived in Endicott, as well, but he was unable to attend.  However, he expressed his support and sent us a piece of artwork which we used in the program book. 

    In addition to having a convention, I wanted a big program book.  We spent a huge amount of time on this, selling ads in the book to cover the cost of printing it, writing articles, and preparing everything.  There were no computers or word processing at the time, so everything was painstakingly done by hand using typewriters, Zip-a-Tone, and press-apply lettering.  Nobody who has never done it could possibly believe how much labor goes into preparing a book with those tools!  Of course, all of our publicity materials were prepared in the same way.  Tim and I even created a letterhead which we used for all correspondence.  We printed PLENTY of copies of the program book, and there are still some left over! 

    A popular program activity at that first convention was the plotting of an issue of the Hulk, which Len was writing, with audience participation.  It was hoped that this would actually be a published story, but that never materialized. 

    Another program activity was the auction.  For many years, the ITHACON auctions were very well received, and a lot of unusual and interesting material changed owners.  The highlight of the ITHACON 1 auction was Club member Bill Silvia's Amazing Spider-Man #1 in about Fine condition.  This item had a minimum bid of $65., and sold for $85.  I consigned a copy of Tales of Suspense #39 in VG condition, and that sold for $46. 

    We also had a film program.  This was of course before video, so these were actual 16mm films that we were able to borrow from a collector in Tully, NY. 

    By the time the convention actually arrived, I was so tired and stressed out that I never really remembered it all that clearly.  I hadn't really slept in a week.  In addition to organizing the convention, I was set up as a dealer (meaning that my wife Lisa actually ran the table during the show). 

    All this was done for a one-day show.  It was successful enough that even as the show ended, we were talking about expanding to a 2-day show the following year... 

    Write up provided by Bill Turner

    The Making of ITHACON I or, 
    How We Brought Culture to Ithaca 
    by Mike Costello 

    (originally written for the ITHACON II Program Book) 

    It was a dark and stormy night.  The principals sat around the immense table, discussing strategy in an erudite manner. 

    “Is that guy Len Wiener coming or not?  He hasn’t gotten ahold of us yet!”  Aaron was disturbed.  He had been at the meeting for half an hour, and Bill hadn't brought out the doughnuts yet. 

    “Be patient,” Bill said in a soothing voice.  “I have it straight from Al Milgrom that he'll be here.  And it's Len Wein, not Wiener.” 

    “He can call himself what he wants, but did you see that drawing he sent of himself?”  Mike grumbled at the end of his sentence.  “He looks like a refugee from an old Errol Flynn pirate movie.” 

    The pack was getting restless now.  Bill, the club's President, had called the meeting to get the final plans for ITHACON I in shape.  After three months of planning, the convention was only one week away.  Mike, Tim, John, and Paul were gathered with the leader in a final tooth-gnashing skull session. 

    “Look, let's get it together now,” implored Bill.  “We have to decide who does what next week.  Who is going to man the concession stand?” 

    Silence. 

    “I guess I will,” said Paul meekly. 

    “I’ll make sure the dealers are happy – don’t worry !”  Mike was enthused about his task.  Being in the dealers’ room, he would have an early and long look at the old comics. 

    As other tasks were summarily assigned. Bill sighed as he reflected upon the amount of time and money he had invested.  As he began to review other topics, a voice interrupted, “Where's the doughnuts?” 

    • • • 

    It was a wet and rainy day.  The doors of the convention were open early for the dealers. 

    “Is everything ready?  Let's see... the dealers' room, the art room, the films...” 

    “Bill never slept last night,” Lisa confided.  “Too nervous.” 

    “Who brought the films?  Did anyone get a projector?  When does the plane come in with Wein and Milgrom?  Bring those tables in here!  Is anyone going to come?” 

    “Take it easy. Bill,” soothed Tim.  “Everything's under control.” 

    Mike interrupted the quiet scene.  “The dealers want fancier name tags.” 

    “I don't think we have enough hot dogs,” said Paul. 

    “There's not enough change at the door,” added John. 

    “Wait,” whispered Bill.  “Here's our first paying customer!” 

    A young boy walked up to the admissions table.  Taking a brief curious glance around the area, he asked, “Can you tell me how to get to State Street? 

    (Mike Costello still lives in Ithaca, and is now a judge) 

bottom of page